Thursday, August 27, 2009

Petite Watermelons

Have you seen the new breed of petite watermelons? No, we're just kidding. But how adorable are these "petite watermelons" from Chocolate on my Cranium? Find out how to make your own for your child's next tea party.

http://www.ohdeedoh.com/ohdeedoh/meal-time-goods/petite-watermelons-079403

Sunday, August 16, 2009

Wrapped In...

Saran Wrap!What... thought I'd say "our love"... sheesh... Not that sappy! We got this stuff from Circuit City on their last day. 4 rolls of it. We tried being wrapped a few different ways and didn't even come close to using 1 roll. Guess we'll have to try again!Thank you Aaron for helping us with the shot and using your camera. It's kinda hard to press any buttons when you're stuck together.

http://www.flickr.mud.yahoo.com/photos/hottotrot/3512097420/
December 1, 2006
Christmas Wrapping


No, not the Waitresses’ song of the same name. Every year AIGA New York asks a few designers to create holiday wrapping paper. Afterwards, they throw a big holiday bash and sell the wrapping paper. Proceeds from the event benefit the AIGA NY Mentoring Program and First Book, an organization dedicated to giving children from low-income families the opportunity to read and own their first new books. As you can probably imagine, I jumped at the chance to participate when they came knocking.

After blazing through about six alternate ideas (and even mocking a few of those up), I eventually landed on the concept of a multi-purpose wrapping paper comprised entirely of type. I tried to stay away from typical holiday conventions for color and symbolism, and instead decided to portray a bit of what the holidays mean to me. I come from a large Italian family, and we often meet around, or because of, food. The holidays bring out some of the best and rarely seen recipes of the year, so what better way to bring that to others than to share some recipes. Your gift receiver can now ditch the crummy gift you got them, and instead use the wrapping paper to create some festive treats! Hot mulled wine, pumpkin bread, and more! I even slipped in a personal Italian favorite, pizzelles. Mmmm. Check out the final wrapping paper here.
It was great to get back to some print design for a little bit (as it always is), but I really have to admit, this was rough. The project hit just as many other projects were in full swing, and I had to use every last day before getting this out to the printer. I also had a blast finally using the new Garamond Premier Pro I grabbed from Adobe as a gift for registering Creative Suite 2. It’s a gorgeous Open Type face by Robert Slimbach that contains numerous optical weights, ligatures, fractions, and so much more. It truly is a thing to behold. This combined with some good old Trade Gothic make for a simple and elegant solution. And it’s not coincidental that it also hints a little at a newspaper feel, that being another classic DIY wrap. Thanks very much to my new (and old) friends at AIGA NY for the opportunity!
If you are in or around New York this Sunday, the party is free to attend, is at Pentagram (!), and promises to attract some design luminaries we web people rarely see. Among those luminaries are 22 “virtuoso couples” whose creative collaborations will be silently auctioned off. You can join me in invading their personal space and making awkward introductions. If you do happen to drop by, please come and say hello!
On an unrelated note, I will be away the tail-end of next week as we make a quick trip back to Ireland. The Comhaltas site we are working on is designed and approaching completion, and we elected to head back over for some training. Realistically, only a few of us need to go, but the airfares were low enough that we all decided to go… including significant others. While there, we will be bopping around Dublin again, and taking in the Comhaltas Christmas party. There will surely be many pictures, as we tend to document everything like crazed paparazzi. Some friends will be taking care of the Daily Photos while I’m away.

http://v3.jasonsantamaria.com/archive//2006/12/01/christmas_wrapping.php

http://www.flickr.mud.yahoo.com/photos/jasonsantamaria/311149672/

Monday, August 3, 2009

Yardbird Wine Caddys




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Chef Cat Wine Caddy Yardbirds by Richard Kolb
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Yardbirds by Richard KolbEach Yardbirds sculpture is created with scrap and recycled parts. Unique & whimsical, they're perfect to decorate your house inside & out. Due to the han... [Read more]
Merchant: DetailsArt

Sunday, August 2, 2009

fat-cat.co.uk/fatcat/release.php?id=253

Edward Hart (1847 - 1928)

Edward Hart was born on July 30th, 1847. His father, William Hart, was a taxidermist in Christchurch. He opened his first taxidermy shop in Bridge Street in 1834. The shop closed perhaps due to William's other manufactoring buisness: making watch chains. William Hart eventually opened a second taxidermy store in the 1850s which seems to have inspired his son's own fascination with taxidermy:
"In 1857 I shot three of three birds and afterwards mounted them, little thinking at the time that this attempt at taxidermy was to be the beginning of making my collection, which has been my fortune to accumulate principally from Hampshire." Father and son eventually went into business together which was advertised as "William Hart & Son, Preservers of Birds and Beasts."
Edward Hart continued accumulating his own collection and in 1866 he opened a museum in The Bow House (now the Portman Building Society) to display his pieces. The total length of the bird cases was 270 feet (82 metres) with a height of 10 feet (3 metres). The mammal cases extended another 30 feet (9 metres). The museum continued to increase in size, including upwards of 420 cases, containing 1350 specimens of birds, 2000 birds' egss, 1000 fossils and flint implements, moths and butterflies, and various horns, skulls, and antlers. The mammals included squirrels, rats, shrews, stoats and dormice. Hart arranged his birds and animals in naturalistic settings including painted backgrounds, rocks, and foliage. Hart also created several anthropomorphic tableaux which he termed "Grotesque Groups" including Prize Fight, Leap Frog and The Barber.

Prize Fight was first displayed by Hart at the Great Exhibition. Consisting of five cases, the Fight shows two squirrels in various stages of a bozing match until the squirrel on the right is knocked out. The piece was bought by Lord and Lady Bangor and is still displayed in Castle Ward, Country Down, Northern Ireland, which has since been taken over by the National Trust.
Most specimens in his museums were collected by Hart himself (he kept notebooks detailing where he found each specimen) although others were donated by local naturalists including Mr. T. Pike.

For further comments on Hart's conservationist tendencies (or lack of) and the legacy of his collection, go to the Hampshire County Council's website.